Here are two completely different takes on the same phrase from Les Murray's poem The Sydney Highrise Variations: "Freud's cobwebbed poem".
Kim Richardson uses the urban context as backdrop and foregrounds the psychobiographic connotations evoked by the name of Sigmund Freud.
Dana Smith does a bit of research and depicts the part of the Sydney (Australia) business district that is specifically referenced in this line, albeit obliquely.
Kim did her piece all in one day on Wednesday after struggling for a long time with a poem she found "too male" to approach in her typically instinctive, soulful ways. Interesting, then, that she chose the most directly phallic phrase in the poem!
Dana - who is a man - worked for months at his piece, without mention of the poem's alleged masculity.
Their paintings will hang side by side at the show tonight at The Luminary Center for the Arts (Reber Place at Kingshighway, on the southwestern corner of Tower Grove Park) once I get down there and hang Kim's paintings. It's sitting in my kitchen right now.
Both will be on silent auction, with opening bids of a measly $50.
Here is the part of the score that sets this phrase to music: "Hot air money driers" by Three Fried Men.
Here is how the silent auction works: How a Poetry Scores Art Invitational works.